Today’s team review is from Olga, she blogs here, https://www.authortranslatorolga.com
Olga has been reading Knight In Paper Armor by Nicholas Conley
Set in the not too-distant future, a dystopian future where the United States seems to have become more parcelled out and separate than ever —different populations are segregated into newly created states [immigrants have to live in certain areas, the Jewish population in another state, the well-to-do elsewhere…]—, where huge corporations have taken over everything, and prejudice is rampant. From that perspective, the book fits into the science-fiction genre, and there are also other elements (like Billy’s powers, the way the Thorne Corporation is trying to harness those powers…) that easily fit into that category, although, otherwise, the world depicted in it is worryingly similar to the one we live in. Although there aren’t lengthy descriptions of all aspects of the world, there are some scenes that vividly portray some parts of the town (Heaven’s Hole), and I would say the novel is best at creating a feeling or an impression of what life must be like there, rather than making us see it in detail. Somehow it is as if we had acquired some of Billy’s powers and could “sense” what the characters are going through.
I don’t want to discuss the plot in too much detail, as there is much to discover and enjoy, but the book is also, at some level, a rite of passage for the two young protagonists, who might come from very different backgrounds and traditions but have much in common (they’ve lost beloved family members to unfair treatment, discrimination, and manipulation; their grandmothers have played an important role in their lives; they are outsiders; they are strongly committed to others…), and who help each other become better versions of themselves. Although there is a romantic aspect to their relationship (it is reminiscent of “insta love” that so many readers dislike) and even a sex scene (very mild and not at all descriptive), the story of Billy and Natalia’s relationship goes beyond that. I don’t think I would class this novel as a Young Adult story, despite the ages of the protagonists (at least during most of the action), but that would depend on every reader. There is plenty of violence, death of adults and children, instances of physical abuse and serious injuries of both youths and adults, so I’d recommend caution depending on the age of the reader and their sensitivity to those types of subjects.
The book can be read as a metaphor for how the world might end up looking like if we don’t change our ways (and I thought about George Orwell’s 1984 and Animal Farm often as I read this novel), or as a straight Sci-Fi novel where two young people, one with special powers and one without, confront the government/a powerful tyrannous corporation to free society from their clutches (think the Hunger Games, although many other examples exist). It’s easy to draw comparisons and parallels with the present (and with other historical eras) as one reads; and the examples of bullying, abuse, extortion, threats, corruption… might differ in detail from events we know, but not in the essence. There is also emphasis on tradition, memory (the role of the two grandmothers is very important in that respect), identity (Billy’s Jewish identity, Natalia’s Guatemalan one, although she and her family have to pass for Mexicans at some point), disability, diversity, poverty, power, the role of media…
I have talked about the two main characters, who are both heroes (each one in their own way) and well-matched, and their families feature as well and play an important part in grounding them and making us see who they are (although Billy’s family features mostly through his memories of them). We also have a baddie we can hate at will (he is despicable, but I didn’t find him too impressive compared to others, and I prefer baddies with a certain level of humanity rather than a purely evil one), another baddie who is just a bigot and nasty (not much characterization there), and some others whose actions are morally wrong but whose reasons we come to understand. The circumstances of Billy and Natalia are so hard, and they have such great hearts that it is impossible not to root for them (I’m a big fan of Natalia, perhaps because she saves the day without having any special powers and she is easier to identify with than Billy, who is such a singular character), and their relatives and friends are also very relatable, but as I said, things are very black and white, and the book does not offer much room for shades of grey.
The story is told in the third person, although each chapter follows the point of view of one of the characters, and this is not limited to the two protagonists, but also to Thorne, and to one of the scientists working on the project. There are also moments when we follow some of the characters into a “somewhere else”, a vision that might be a memory of the past, or sometimes a projection of something else (a possible future?, a different realm or dimension?, the collective unconscious), and these chapters are quite descriptive and have an almost hallucinatory intensity. The Shape plays a big part on some of those chapters, and it makes for a much more interesting evil character than Thorne (and it brought to my mind Lovecraft and Cthulhu). Readers must be prepared to follow the characters into these places, although the experience can be painful at times. I was touched and close to tears quite a few times while I read this book, sometimes due to sadness but others the experience was a happy one.
The book is divided up into 10 parts, each one with a Hebrew name, and as I’m not that familiar with the Jewish tradition I had to check and found out these refer to the ten nodes of the Kabbalah Tree of Life. This made me realise that the structure of the book is carefully designed and it has a significance that is not evident at first sight. That does not mean it is necessary to be conversant with this concept to read and enjoy the book, but I am sure there is more to it than meets the eye (and the Tree of Life pays and important role in the story, although I won’t say anything else to avoid spoilers). The writing is lyrical and beautiful in parts, and quite horrific and explicit when it comes to detailing violence and abuse. This is not a fast page-turner, and although there is plenty of action, there are also moments where characters talk, think, or are even suspended in non-reality, so this is not for those who are only interested in stories where the plot is king and its advancement the only justification for each and every word written. I often recommend readers to try a sample of a book before purchasing, and this is even more important for books such as this one, which are not easy to pin down or classify.
From my references to Orwell you will know that this is a book with a clear message (or several) and not “just” light entertainment, but I don’t want you to think it is all doom and gloom. Quite the opposite, in fact. The ending is positive, hopeful and life-affirming. Those who like endings where everything is resolved will love this one, and those who are looking for an inspiring novel and are happy to boldly go where no reader has gone before will be handsomely rewarded.
I had to include the quote that opens the book, because it is at the heart of it all, and because it is so relevant:
“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference. Because of indifference, one dies before one actually dies. To be in the window and watch people being sent to concentration camps or being attacked in the street and do nothing, that’s being dead.” Elie Wiesel.
Billy Jakobek has always been different. Born with strange and powerful psychic abilities, he has grown up in the laboratories of Thorne Century, a ruthless megacorporation that economically, socially, and politically dominates American society. Every day, Billy absorbs the emotional energies, dreams, and traumas of everyone he meets—from his grandmother’s memories of the Holocaust, to the terror his sheer existence inflicts upon his captors—and he yearns to break free, so he can use his powers to help others.
Natalia Gonzalez, a rebellious artist and daughter of Guatemalan immigrants, lives in Heaven’s Hole, an industrial town built inside a meteor crater, where the poverty-stricken population struggles to survive the nightmarish working conditions of the local Thorne Century factory. Natalia takes care of her ailing mother, her grandmother, and her two younger brothers, and while she dreams of escape, she knows she cannot leave her family behind.
When Billy is transferred to Heaven’s Hole, his chance encounter with Natalia sends shockwaves rippling across the blighted landscape. The two outsiders are pitted against the all-powerful monopoly, while Billy experiences visions of an otherworldly figure known as the Shape, which prophesizes an apocalyptic future that could decimate the world they know.