Today’s team review is from Olga.
Olga blogs here https://www.authortranslatorolga.com
Olga has been reading Eat The Poor by Tom Williams.
The description of the novel sets up the plot quite clearly, and I won’t elaborate on it. Readers can find elements of the police procedural novel (one flexible enough to allow for a supernatural element rather than one where logic and realism to the minutest detail are the required standard) with an unlikely and seemingly unsuited couple of investigators, and the tongue-in-cheek approach suits beautifully the description of the inner workings of the police department, and the way promotions and a career in the police are likely to progress for those who care for the actual job and are not that keen on cultivating influences and playing political games within the force.
The ironic commentary on UK politics helps make the story even more memorable. After recent shenanigans in the UK Parliament, one can’t help but wonder if a conservative MP with pretty radical (and classist) views, with the peculiarity of being also a werewolf, would really be that much worse than what had been happening. (And, of course, readers in other countries would wonder the same as well, as although the details might be different, the behaviour of the political classes has been less than stellar pretty much around the world).
There is a mystery that owes plenty to the cozy genre (despite some vicious murders and the addition of the supernatural Others that usually belong in the horror genre) and is likely to attract people who are more interested in quirky and original characters than in the investigation itself.
I haven’t read the first novel in the series, so I don’t know anything about the background story between Pole and Galbraith, and I can confirm that this book can be read as a stand-alone. There are some references to the previous case, but those are contextualised and don’t affect the action or the development of the story. Of course, having read this book, I’d like to know more about the first case, but that is to be expected, having enjoyed this one so much.
The story is narrated in the third person from two of the characters’ points of view (mostly, although there are some paragraphs and comments from an outside observer’s perspective), those of Galbraith and of the criminal they are trying to track. That gives readers a better understanding of the personality of the perpetrator and the circumstances behind the crimes, some of which are well beyond anybody’s control. That doesn’t make the criminal more likeable, at least to me (his politics are quite extreme, although looking at the general political situation, it is evident that many people share similar views), but it allows us to follow his reasoning and to see how easy it could be for someone to move from similar type of thoughts to action. Despite the light tone of the story and the amusing characters and events, there is more than a slight touch of social criticism and a call to attention that is impossible to miss. From feeling privileged and proud of one’s achievement to thinking that those who aren’t as well-off as one is are undeserving of any help or assistance there is but a small step.
Chief Inspector Galbraith is a sympathetic character, and especially those readers of a certain age who have seen their jobs change and become enmeshed in bureaucracy and a never-ending litany of meetings and committees are likely to identify with him. (I had to nod at many of the situations, and some of his reflections as well).
Pole is a mysterious character who never quite reveals much about anything, especially himself —he mentions Arthur Conan Doyle and Sherlock Holmes, and it is impossible to read about his character and not think of Doyle’s creation—, but there are moments when his real feelings and emotions filter through the hundreds of years of containment and good breed. I came to like him more and more as the story progressed, and I hope there will be plenty of occasions to get to know him better in future books.
I’ve talked about the baddie already, but towards the end of the novel, a new character was introduced and became one of my favourites. Robson is a masterpiece, and he makes the closing of the investigation totally memorable. (And no, I won’t say anything else about him).
Those readers who dislike head hopping and sudden changes in viewpoint don’t need to worry, as each chapter is told from a single point of view, and it is clearly marked. Oh, and I love the old-style titles of the chapters. They are a joy.
You’ve probably guessed that I enjoyed the ending from my mention of Robson, but apart from the resolution of the case, there are a couple of scenes at the end that I also enjoyed. Especially because Pole and Galbraith share a moment that reminded me of Casablanca’s closing scene when Humphrey Bogart and Claude Rains disappear into the fog. Very understated and very moving.
So, if you enjoy mysteries but are not a stickler for realism, love quirky characters and appreciate a touch of the paranormal, have a sense of humour, and like to look at politics and society from a critical but seemingly light-hearted point of view, you should give this novel a go. The author has written plenty of historical novels and has a talent for highlighting trends, connections, and behaviours that many might not perceive. I have discovered another author whose books I’m eager to learn more about, and I’m sure I won’t be alone in this.
A werewolf is on the loose in London.
Chief Inspector Pole, the vampire from the mysterious Section S, teams up once again with his human counterpart to hunt down the beast before the people of the city realise that they are threatened by creatures they have dismissed as myths.
Time is short as the werewolf kills ever more recklessly. Can Galbraith and Pole stop it before panic spreads through London?
Galbraith and Pole start their search in Pole’s extensive library of the arcane, accompanied by a couple of glasses of his excellent malt whisky. All too soon, though, they will have to take to the streets to hunt the monster by the light of the moon.
But the threat is even greater than they think, for in its human form the werewolf is terrifyingly close to the heart of government.
This is Tom Williams’ second tongue-in-cheek take on traditional creatures of darkness. Like the first Galbraith & Pole book, Something Wicked, this will appeal to fans of Ben Aaronovitch’s Rivers of London.
You never know when the forces of darkness may be released and there will be no time for reading then. Buy Eat the Poor before it’s too late.