Rosie’s #Bookreview Team #RBRT MURDER & MAYHEM by @carolJhedges #HistFic #WeekendBlogShare

Today’s Team Review is from Noelle, she blogs at

#RBRT Review Team

Noelle has been reading Murder & Mayhem by Carol J Hedges



I’ll start by telling you how much I enjoyed this mystery. It’s a bit different from the mysteries I’ve read to date, but it is a smashing historical who dunnit.

Set against an exquisitely detailed Victorian London – I could see myself there – the story is told from multiple points of view, each character fully developed. It begins with the discovery of the corpses of infants in the basement of an abandoned house on a street in the middle of demolition for the railway system. Inspector Lachlan Greig of the Bow Street Police has become aware of dark practice of baby farming (women and men who will take someone’s child and a sum of money for “looking after” on a permanent basis) and it falls to him to find the murderers.

A second thread involves two school friends – Daisy Lawton, daughter of a wealthy physician who lives in the lap of luxury and wants for nothing but marriage to a handsome man of social standing, and Letitia Simpkins, daughter of a penurious widower who treats her like a servant. She disdains marriage but craves for higher education and the employment that would bring, in order to get her away from her family. Daisy becomes engaged to a wealthy young man headed for Parliament but with a shadowy life with prostitutes and a decent woman carrying his baby. Letitia meets a librarian, Sarah Lunt, who believes Ladies should be educated and trained for a profession, and she quickly becomes the only light in Letitia’s gloomy life.

Add in a couple of anarchists with catchy names — Edwin Persiflage and Danton Waxwing – who work as clerks but who have deep grievances against the rich and privileged and who are determined to blow up parts of London, and Inspector Greig has another problem on his plate.

I loved the rounding of all the characters, major and minor, and especially gas-lit, crowded and filthy Victorian London, a character unto itself. The author is at once humorous and heart-breaking in her descriptions, never more so than in the plight of women in that time. The depth of her research and the colorful details with which she decorates the story lines is exceptional.

Ms. Hedges breaks the wall and talks directly to the reader at the beginning of the book (which is when it should be done, if at all), and most charmingly pulled me into the story.

Every aspect of this read was a delight, and I am looking forward to the next book!

Five stars

Find a copy here from or also available free from Kindle Unlimited


Rosie’s #BookReview Team #RBRT MURDER & MAYHEM by @carolJhedges #Mystery #fridayreads

Today’s second team review is from Barb, she blogs at

I reviewed Resthaven for Rosie's Book Review Team

Barb has been reading Murder & Mayhem by Carol Hedges

Murder & Mayhem (Victorian Murder Mystery: Stride & Cully Book 4) by [Hedges, Carol]

Even though I’m looking over my shoulder in case someone from my University is standing there demanding the return of my English Lit degree, I have to admit it: I don’t like Dickens. Or rather, I like everything about his books except the writing. I love his subjects, the tropes he uses and even invents. But I’m in luck! Carol Hedges, in her wonderful Victorian detective series, channels the most Dickensian of tropes without the overly sentimental, I-get-paid-by-the-word-so-I-never-use-one-where-six-would-do Dickensian mush. Consider the writing in her latest book in the Victorian Murder Mystery series:


    Priggish: In Dickens, the writing is an over the top mix of sentiment and satire, steeped in Victorian melodrama and sanctimonious prudishness. Author Hedges pares back the language to make every word count, while mixing in a welcome dose of humor. “It is much too early for urgent reports, but Greig begins to read it, silently tutting at the absence of paragraphing. As usual, the comma has looked in the face of the writer and decided not to disturb him.”

  • Emotional: Dickens’ characters and writing are constantly bouncing between narrowly suspicious and bizarrely credulous, making them seem shallow and flat. Hedges’ characters come complete with backstories that inform and drive their actions. Daisy Lawton, the beautiful young girl about to make her debut into Victorian society, could have been as one-dimensional as Lucie in Tale of Two Cities. Instead she has the conviction of friendship, and the example of her parents’ marriage to give depth to her character. Even better, despite clues and speculation on what drives Inspector Grieg, his backstory isn’t revealed until the end of the book.


He’s a single man. No children. But the Bow Street sergeants say he’s like a terrier after a rat up a drainpipe. Absolutely determined to catch these people, whatever it takes.

  • Social Critic: Dickens’ didn’t shy away from pointing out social issues, although his writing became increasingly dark as he realized that social woes such as poverty and child abuse were immune to his critique. It’s true that Carol Hedges has the advantage of 20-20 hindsight, but she uses that to take on the particularly difficult Victorian crime of baby farming, one which was virtually invisible to Londoners at the time, even though they routinely came across the corpses of children who had died of abuse or neglect. Murder & Mayhem’s Inspector Grieg muses, “He regards it as deeply ironic that there are laws against mistreating animals, strict licensing laws for the numerous cow-keepers who supply the city with fresh milk, but not a single law to safeguard the lives of children.” 
  • Twisty Plots: Probably as a result of being initially published as serials—the soap operas of his day—Dickensian casts are huge, plots convoluted, and plot twists rely heavily on contrived coincidences. This was lampshaded by Oscar Wilde in his play, The Importance of Being Ernest, which earnestly—sorry, I couldn’t resist—entreats, “Now produce your explanation and pray make it improbable.”  But this is where Carol Hedges comes into her own. Without abandoning the properly Victorian tone, her plots involve lots of characters who are constantly running into each other as they pursue goals ranging from apprehending baby murderers, to making a socially acceptable marriage, to education for women, to blowing up Parliament. Although Murder & Mayhem, like all books in this series, works as a standalone, it’s fun to welcome old friends like detectives Stride and Cully, and Cully’s wife Emily, while each has a role to play here. 

The descriptions of 1863 London are wonderful, especially as it contrasts the idyllic London of the upper and middle classes with the London being reshaped by the industrial revolution.

It is the month of May, and the city is in full bloom. Green leaves unfurl, yellow celandines peep from their lowly beds. Violets beckon coyly. Pink frothy waterfalls of blossom cascade from park cherry trees. Birds and bees go about the purposes for which they were created and everywhere from crook to cranny, in garden bed of bow pot warmth returns and nature reasserts itself in song, hum, bud and flower.

Except here.

Here there is only the shrill roar of escaping steam, the groans of machines heaving ponderous loads of earth to the surface, the blasts of explosives, and the clack of pumping devices as the future arrives in lines of steel rails and a thundering in the blood.

I really can’t say enough good things about this book and the whole series. If you want a great detective story, beautifully detailed within its historical context, with a well-rounded supporting cast, I recommend Murder & Mayhem as well as the earlier books in this series. The pace accelerates to a satisfying conclusion, while the descriptions of London, Victorian language (frowsty?), and society at various levels is pure entertainment.

**I reviewed Murder & Mayhem by Carol Hedges for Rosie’s Book Review Team.**

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Rosie’s #BookReview Team #RBRT MURDER & MAYHEM by @carolJhedges #wwwblogs

Today’s second team review is from Cathy, she blogs at

#RBRT Review Team

Cathy has been reading Murder & Mayhem by Carol Hedges


It’s the spring of 1863 in the city of London, and as Hind Street is being demolished to make way for the railway, something horrifying is uncovered by the construction workers. Inspector Lachlan Greig of the Metropolitan Police, based in Bow Street, is called to the scene, where the bodies of eleven dead babies have been discovered.

When the wonderfully named Edwin Persiflage and Danton Waxwing, who lodge in Hind Street, decide they have a grievance against the rich and privileged and declare themselves anarchists, they pose a threat to the public resulting in yet another problem for Inspector Greig.

Miss Daisy Lawton is living in a different world altogether. Full of the joys of spring, she’s young, pretty, well to do and on her way to meet her best friend from school, Letitia Simpkins. The two girls have vastly different backgrounds – Daisy is secure in the love of her family and the knowledge life only promises good things, such as being in love, shopping and parties. Whereas Letitia has a tricky and strained family life, at the beck and call of her parents and only a step up from the servants. The only light at end of her very dark tunnel is a well-timed meeting with librarian, Sarah Lunt, who is of the opinion ladies should be able to study and train for a profession. Letitia herself loves learning and believes there should be more to life than waiting for a man to offer marriage.

As in her previous books, Carol Hedges’ vivid and engaging prose recreates the atmosphere and flavour of Victorian London and its inhabitants evocatively, so that I was transported back in time immediately. The story gives considerable realisation and understanding of life at that time, across the many societal levels of the population. The characters are portrayed extremely well, including the secondary ones, and whether they’re likeable or not they draw the attention.

Lachlan Greig is a wonderful addition to the stories, I like him a lot, and it was good to get reacquainted with Stride and Cully. The plight of, and non-existent civil rights for, women in Victorian times is highlighted, not only by the machinations of Daisy’s mother and Letitia’s horrible situation but also with those who are forced, for whatever reason, to seek the services of the so-called ‘baby minders’. People who are at best unscrupulous, and at worst guilty of mass infanticide. The obviously in depth research needed for this story must have been heartbreaking.

I’m loving these books and am very glad to know there will be another.

Reviewed for Rosie Amber’s book review team and based on an ARC from the author. This does not affect my opinion or the content of my review. or