Rosie’s #Bookreview Team #RBRT #HistFic #Mystery The Likeness by @carver22

Today’s team review is from Liz, she blogs at https://lizannelloyd.wordpress.com/

#RBRT Review Team

Liz has been reading The Likeness by Bill Kirton

The Likeness

In this sequel to Bill Kirton’s “The Figurehead,” we meet wood carver, John Grant, once again, showing his strength and resolute character as he heads out of Aberdeen harbour with his fellow oarsmen in the Lifeboat.  Meanwhile, Helen Anderson, frequently in John’s thoughts, is trying to persuade her father to allow her active participation in his business.  Her parents know that she has grown close to John Grant, although he is not her social equal, but she does not follow the normal accepted behaviour of a young woman in 1841.  She is keen to travel on one of her father’s ships, on part of its journey to the colonies, to see how accommodation might be improved.

Imminent separation begins to drive John and Helen apart, as his new project to carve a figurehead for part of a ship on stage, brings him into frequent contact with an actress in the touring company.  The discovery of the original star of the play, dead behind the fishing sheds, has made him determined to solve the possible murder and there are several likely suspects.

The details of the shipping business and the life of a touring group of actors enrich this distinctive historical mystery and the misunderstandings of the relationship between Helen and John are solved in an unusual manner, based on their love and respect for each other. A wonderful opportunity to discover the people and hardships of this thriving 19th century port.

Book description

Aberdeen, 1841. Woodcarver John Grant has an unusual new commission – creating a figurehead to feature onstage in the melodramas of a newly-arrived theatre group. Simultaneously, he’s also trying to unravel the mystery of the death of a young woman, whose body has been found in the filth behind the harbour’s fish sheds.

His loving relationship with Helen Anderson, which began in The Figurehead, has grown stronger but, despite the fact that they both want to be together, she rejects the restrictions of conventional marriage, in which the woman is effectively the property of the husband.

As John works on the figurehead, Helen persuades her father, a rich merchant, to let her get involved in his business, allowing her to challenge yet more conventions of a male-dominated society.

The story weaves parallels between the stage fictions, Helen’s business dealings, a sea voyage, stage rehearsals, and John’s investigations. In the end, the mystery death and the romantic dilemma are both resolved, but in unexpected ways.

About the author

Bill Kirton was a university lecturer in French before taking early retirement to become a full-time writer. He’s won two 2011 Forward National Literature Awards – ‘The Sparrow Conundrum’ was the overall winner of the Humor category and ‘The Darkness’ was runner up in the Mystery category. His historical mystery, ‘The Figurehead’, was long-listed for the 2012 Rubery Book Awards.

He’s produced material in many different media. His radio plays have been broadcast on BBC Radio 3 and 4 and the Australian Broadcasting Corporation. His stage plays have been performed in Aberdeen, Edinburgh and the USA and he’s been the visiting artist to the Theatre Department of the University of Rhode Island on four separate occasions. There, he directed stage plays, gave classes on creative writing and theatre, performed in revues and translated three plays by Molière for public performance, one of which won a BCLA prize. Material from his Edinburgh Festival revues was broadcast on the BBC, ITV and French television.

He’s also been a TV presenter and a voice-over artist and his scripts for corporate and educational DVDs and videos have won awards in the UK and USA. He’s been a Royal Literary Fund Writing Fellow at the Robert Gordon University, Aberdeen, and the universities of Dundee and St Andrews.

Most of his novels are set in the north east of Scotland. ‘Material Evidence’, ‘Rough Justice’, the award-winning ‘The Darkness’, ‘Shadow Selves’ and ‘Unsafe Acts’ all feature DCI Jack Carston. ‘The Figurehead’ is a historical novel set in Aberdeen in 1840. The award-winning ‘The Sparrow Conundrum’, is a spoof spy/crime novel also set in Scotland. His comic fantasy novella, ‘Alternative Dimension’ satirises online role-playing games.

His short stories have appeared in the Crime Writers’ Association annual anthology in 1999, 2005 and 2006. IN 2010, one was also chosen for the ‘Best British Crime Stories, Vol. 7’ anthology edited by Maxim Jacubowski.

His non-fiction output includes ‘Brilliant Study Skills’, ‘Brilliant Essay’, ‘Brilliant Dissertation’, ‘Brilliant Workplace Skills’ and ‘Brilliant Academic Writing. He also co-wrote ‘Just Write’ with Kathleen McMillan.

He writes books for children. ‘Rory the Dragon and Princess Daisy’ was published as a tribute to his great niece, Daisy Warn, who lived for just 16 weeks. Proceeds from its sales go to a children’s hospice in South-West England. ‘The Loch Ewe Mystery’ is a stand-alone novel for children aged 7-12 and he’s preparing a series about a grumpy male fairy called Stanley who lives under a cold, dripping tap in his bedroom.

Bill Kirton

 

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Rosie’s #Bookreview Team #RBRT 1800s shipping #HistFic The Likeness by @carver22

Today’s team review is from Anita, she blogs here http://jenanita01.wordpress.com

#RBRT Review Team

Anita has been reading The Likeness by Bill Kirton

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Fitting The Likeness into a genre seemed difficult at first. I thought it was a mystery thriller, but then realised it was a romance too. It is beautifully written, so should appeal to a wide range of readers.

John Grant is the first person you meet in The Likeness, and he has several threads to his story. A woodcarver with a flair for detection, he is a complex and fascinating character whose relationship with Helen Anderson was enjoyed in the author’s previous work, The Figurehead.

John is also part of the local lifeboat team, regularly rescuing the crews of stricken ships from the sea. The book opens with such a rescue, but there is an unexpected victim on the beach that day, a well- dressed and attractive woman.  The fact that one of her legs was damaged could mean she hadn’t walked to her death and John’s curiosity drives him to solve this mystery and somehow restore the woman’s dignity.

Helen is the daughter of a wealthy shipping company owner, determined to make her mark in a man’s world. Her relationship with John is handled with a gentle touch with just a hint of their growing passion for each other. I particularly enjoyed the chemistry between the two of them.

Set in the 1800s, this story describes the period very well, and we learn just how difficult it was to be a forward-thinking, independent woman back then. Something Helen handles with ease. I thoroughly enjoyed the way she manages to get her own way and without ruffling too many feathers in the process.

I particularly enjoyed Helen’s stubborn determination against the prejudices of the time and her father’s disapproval, to travel alone on one of his ships. She has a very good reason for doing this and eventually gets her way!

As a bit of a craftsperson myself, I also enjoyed the different descriptions of the joys of woodcarving, the wood used and the techniques involved.

John Grant is a special man, skilled as a wood carver but also skilled as a detective. I thoroughly enjoyed reading The Likeness, and as I haven’t yet read The Figurehead, this will be something I remedy and soon.

Book description

Aberdeen, 1841. Woodcarver John Grant has an unusual new commission – creating a figurehead to feature onstage in the melodramas of a newly-arrived theatre group. Simultaneously, he’s also trying to unravel the mystery of the death of a young woman, whose body has been found in the filth behind the harbour’s fish sheds.

His loving relationship with Helen Anderson, which began in The Figurehead, has grown stronger but, despite the fact that they both want to be together, she rejects the restrictions of conventional marriage, in which the woman is effectively the property of the husband.

As John works on the figurehead, Helen persuades her father, a rich merchant, to let her get involved in his business, allowing her to challenge yet more conventions of a male-dominated society.

The story weaves parallels between the stage fictions, Helen’s business dealings, a sea voyage, stage rehearsals, and John’s investigations. In the end, the mystery death and the romantic dilemma are both resolved, but in unexpected ways.

About the author

Bill Kirton was a university lecturer in French before taking early retirement to become a full-time writer. He’s won two 2011 Forward National Literature Awards – ‘The Sparrow Conundrum’ was the overall winner of the Humor category and ‘The Darkness’ was runner up in the Mystery category. His historical mystery, ‘The Figurehead’, was long-listed for the 2012 Rubery Book Awards.

He’s produced material in many different media. His radio plays have been broadcast on BBC Radio 3 and 4 and the Australian Broadcasting Corporation. His stage plays have been performed in Aberdeen, Edinburgh and the USA and he’s been the visiting artist to the Theatre Department of the University of Rhode Island on four separate occasions. There, he directed stage plays, gave classes on creative writing and theatre, performed in revues and translated three plays by Molière for public performance, one of which won a BCLA prize. Material from his Edinburgh Festival revues was broadcast on the BBC, ITV and French television.

He’s also been a TV presenter and a voice-over artist and his scripts for corporate and educational DVDs and videos have won awards in the UK and USA. He’s been a Royal Literary Fund Writing Fellow at the Robert Gordon University, Aberdeen, and the universities of Dundee and St Andrews.

Most of his novels are set in the north east of Scotland. ‘Material Evidence’, ‘Rough Justice’, the award-winning ‘The Darkness’, ‘Shadow Selves’ and ‘Unsafe Acts’ all feature DCI Jack Carston. ‘The Figurehead’ is a historical novel set in Aberdeen in 1840. The award-winning ‘The Sparrow Conundrum’, is a spoof spy/crime novel also set in Scotland. His comic fantasy novella, ‘Alternative Dimension’ satirises online role-playing games.

His short stories have appeared in the Crime Writers’ Association annual anthology in 1999, 2005 and 2006. IN 2010, one was also chosen for the ‘Best British Crime Stories, Vol. 7’ anthology edited by Maxim Jacubowski.

His non-fiction output includes ‘Brilliant Study Skills’, ‘Brilliant Essay’, ‘Brilliant Dissertation’, ‘Brilliant Workplace Skills’ and ‘Brilliant Academic Writing. He also co-wrote ‘Just Write’ with Kathleen McMillan.

He writes books for children. ‘Rory the Dragon and Princess Daisy’ was published as a tribute to his great niece, Daisy Warn, who lived for just 16 weeks. Proceeds from its sales go to a children’s hospice in South-West England. ‘The Loch Ewe Mystery’ is a stand-alone novel for children aged 7-12 and he’s preparing a series about a grumpy male fairy called Stanley who lives under a cold, dripping tap in his bedroom.

Bill Kirton

Sunday Connection – Books We’ve Reviewed This Week, Plus Links To The Blogosphere #SundayBlogShare

On This Week’s Sunday Connection:

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Monday – I reviewed WW2 Histfic The Secrets Between Us by Laura Madeleine

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Tuesday Noelle reviewed Histfic The Likeness by Bill Kirton

Wednesday – Judith reviewed family memoir Castles In The Air by Allison Cubitt

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Thursday – I reviewed romance Break The Line by Allison Mullinax

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Friday – Shelley reviewed action thriller Savage Isle by Beverley Scherberger

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And I reviewed Romcom The Single Girl’s Calendar by Erin Green

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Saturday – Jenny R reviewed travel autobiography Living In Italy by Stef Smulders

Discussion post

Are you A Butterfly Reader?

Plus Links To The Blogosphere:

A look at Hybrid -publishers

https://storyempire.com/2018/03/07/throwing-darts-blindfolded-author-considerations/

Tips for character names

http://annerallen.com/2018/03/9-tips-character-names/

Indie friendly book reviewers

http://triskelebooks.blogspot.co.uk/2013/03/indie-friendly-book-reviewers.html

 

Rosie’s #BookReview Team #RBRT #Historical #Mystery The Likeness by @carver22 #TuesdayBookBlog

Today’s team review is from Noelle, she blogs here http://saylingaway.wordpress.com

#RBRT Review Team

Noelle has been reading The Likeness by Bill Kirton

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The Likeness is a sequel to the enormously popular book by this author: The Figurehead. In that book, the readers were introduced the port city of Aberdeen in the mid-19th century and to three of its citizens: the woodcarver John Grant; William Anderson, a rich merchant; and his headstrong daughter Elizabeth.

The Likeness begins with the discovery of the battered body of a young woman in the muck near the wharves where the Aberdeen fishermen bring in their catches. The body is painfully thin and is clothed in the rich garb of someone not normally found in that area.

Grant is doubtful that the town’s constable – who is short-sighted, lacks intelligence, and has a nasty personality — will ever discover what happened to her, and decides to take on the task of finding her killer. At the same time, he accepts a commission to create a figurehead to feature onstage in the melodramas of a newly-arrived theatre group, a commission paid for by a demanding patron.

The love that developed between John Grant and Helen Anderson in the previous book grows stronger and more evident in this one. Helen wishes to become an integral part of her father’s shipping business, an unheard-of thing in those times, and eventually her father acquiesces. This puts her in direct conflict with a merchant wishing to do business with her father — the patron who paid Grant’s commission and an insulting character.

The story weaves in and out of Helen’s challenges in a male-dominated society, Grant’s investigations, and their love story. It proceeds at a leisurely pace, as befits the times, and is filled with historic details of the theater and actors, the city, and most especially Aberdeen’s busy port. The descriptions of waterfront and the wharves, the ships, and the workers there were compelling, and I read some of them twice for enjoyment. The author has captured the sights, the smells, the city and the societal norms in vivid detail.

Helen as a character is quite unique to her age. I wonder if such women – running businesses and rejecting the restrictions of conventional courtship and marriage, especially the idea that a woman is the property of her husband –actually existed at that time. Certainly, her role is one that will appeal to feminists of all ages. I was particularly drawn to the description of her three-day journey on one of her father’s ships, designed to carry passengers to Canada. It gave further insight into Helen’s intelligence and the plight and strength of those immigrating to North America.

John Grant is kind, thoughtful, intelligent, and certainly amenable to all of Elizabeth’s modern ideas. As a man of his time, I would have liked him to be more resistant. The only tension between them is just a misunderstanding.

The mystery of the woman’s death is far more complex than at first view, and the twists and turns of Grant’s investigation left me puzzled to the very end.

All in all, a successful meshing of historical romance and mystery, with rich detail of a bygone era, by an author who knows how to weave a good story.

Book description

Aberdeen, 1841. Woodcarver John Grant has an unusual new commission – creating a figurehead to feature onstage in the melodramas of a newly-arrived theatre group. Simultaneously, he’s also trying to unravel the mystery of the death of a young woman, whose body has been found in the filth behind the harbour’s fish sheds.

His loving relationship with Helen Anderson, which began in The Figurehead, has grown stronger but, despite the fact that they both want to be together, she rejects the restrictions of conventional marriage, in which the woman is effectively the property of the husband.

As John works on the figurehead, Helen persuades her father, a rich merchant, to let her get involved in his business, allowing her to challenge yet more conventions of a male-dominated society.

The story weaves parallels between the stage fictions, Helen’s business dealings, a sea voyage, stage rehearsals, and John’s investigations. In the end, the mystery death and the romantic dilemma are both resolved, but in unexpected ways.

About the author

Bill Kirton was a university lecturer in French before taking early retirement to become a full-time writer. He’s won two 2011 Forward National Literature Awards – ‘The Sparrow Conundrum’ was the overall winner of the Humor category and ‘The Darkness’ was runner up in the Mystery category. His historical mystery, ‘The Figurehead’, was long-listed for the 2012 Rubery Book Awards.

He’s produced material in many different media. His radio plays have been broadcast on BBC Radio 3 and 4 and the Australian Broadcasting Corporation. His stage plays have been performed in Aberdeen, Edinburgh and the USA and he’s been the visiting artist to the Theatre Department of the University of Rhode Island on four separate occasions. There, he directed stage plays, gave classes on creative writing and theatre, performed in revues and translated three plays by Molière for public performance, one of which won a BCLA prize. Material from his Edinburgh Festival revues was broadcast on the BBC, ITV and French television.

He’s also been a TV presenter and a voice-over artist and his scripts for corporate and educational DVDs and videos have won awards in the UK and USA. He’s been a Royal Literary Fund Writing Fellow at the Robert Gordon University, Aberdeen, and the universities of Dundee and St Andrews.

Most of his novels are set in the north east of Scotland. ‘Material Evidence’, ‘Rough Justice’, the award-winning ‘The Darkness’, ‘Shadow Selves’ and ‘Unsafe Acts’ all feature DCI Jack Carston. ‘The Figurehead’ is a historical novel set in Aberdeen in 1840. The award-winning ‘The Sparrow Conundrum’, is a spoof spy/crime novel also set in Scotland. His comic fantasy novella, ‘Alternative Dimension’ satirises online role-playing games.

His short stories have appeared in the Crime Writers’ Association annual anthology in 1999, 2005 and 2006. IN 2010, one was also chosen for the ‘Best British Crime Stories, Vol. 7’ anthology edited by Maxim Jacubowski.

His non-fiction output includes ‘Brilliant Study Skills’, ‘Brilliant Essay’, ‘Brilliant Dissertation’, ‘Brilliant Workplace Skills’ and ‘Brilliant Academic Writing. He also co-wrote ‘Just Write’ with Kathleen McMillan.

He writes books for children. ‘Rory the Dragon and Princess Daisy’ was published as a tribute to his great niece, Daisy Warn, who lived for just 16 weeks. Proceeds from its sales go to a children’s hospice in South-West England. ‘The Loch Ewe Mystery’ is a stand-alone novel for children aged 7-12 and he’s preparing a series about a grumpy male fairy called Stanley who lives under a cold, dripping tap in his bedroom.

Bill Kirton