Today’s team review is from Olga. She blogs here https://www.authortranslatorolga.com
Olga has been reading Black Irish Blues by Andrew Cotto
This is my first experience reading this author’s work, although when I checked his biography I realised that he had not only been writing for quite a while, but this is not the first novel he publishes with Caesar Stiles as the main character, although the first one was published in 2012, and it’s only available in paperback. It makes perfect sense when we read the story, as there are references to what has happened before, but it is not necessary to have read the previous novel to enjoy this one.
The description of the book provides a good overview of the plot, especially as I want to avoid any spoilers. I’ve been thinking long and hard about the genre of this short novel, and although it might sound like an impossible combination (and I suspect the author wouldn’t agree), if there was something like a “noir-cozy” or a “hard-boiled-cozy” this would be it. Let me explain what I mean, because I know the two concepts seem impossible to reconcile. What I mean by cozy is that the novel has not only a pretty peculiar protagonist (who left his home in quite traumatic circumstances and has been wandering the roads of America ever-since), but many of the other characters that make an appearance are also unique (a fantastically charming “good” baddie, an intriguing father, a bodyguard with plenty of style, a driver-cum-guide with plenty of hidden talents, a rich businessman with an alternative view of life…); there is also a strong focus on a small town and its inhabitants, peculiarities, and power structures and games; and a lot of attention is paid to Caesar’s cooking, with lengthy descriptions of some of his favourite dishes and how to cook them. Cozy mysteries tend to combine the actual mystery with some sort of side attraction or plot-line (cooking and baking are quite popular, but there might also be magic, paranormal elements, acting, song contests or a multitude of other subjects). The crimes investigated in that genre can be serious (murders are quite common), but the investigation itself is not discussed in too much detail; it is hardly on the level of a police procedural novel, and the level of violence tends to be either very minor, bizarre or cartoonish rather than realistic, or not discussed in detail. This novel, like many American novels, depicts a small-town that is far from the white-picket fence oasis urban dwellers imagine. It has a dark side, and there are plenty of non-cozy subjects that make an appearance (prostitution, corruption, prejudice, hints of racism, organised crime, bullying and child abuse…), but although I can’t go into detail, let’s say that the nature of the mystery/crime and the ending of the novel are a bit surprising considering some of the less-than-savoury themes discussed.
The style is definitely noir/hard-boiled, with dialogue that is stylised, hard-hitting, witty, and eminently quotable; there is gloomy foreshadowing, there is threatened and actual violence inflicted (although rather than gore and over the top ,it felt fairly restrained in its description, perhaps because the story is narrated in the first person by Caesar and, as he reminds us a few times, he’s got used to enduring violence due to his previous experiences and can take a beating), I’ve already mentioned some of the topics typical of the genre, and as the story is set in the early 90s, we have plenty of characters misbehaving (smoking, drinking alcohol, flaunting their money and being conspicuously materialistic) but not much swearing; we have an old Sicilian curse; a character from the wrong side of the tracks with criminal connections who has lost most of his family by the time we meet him. There are plenty of rich descriptions that bring to life the place and the characters, and the book —which is rather short (a bit long for a novella, but pretty short for a novel)— covers lot of ground in very few pages. There are plenty of secrets to be uncovered, surprises of all kinds that keep popping up, and friends and enemies are not always easy to tell apart.
I liked the central character and plenty of the other characters that make an appearance, although some we don’t get to know very well, and there are a few truly despicable ones. The fact that Caesar tells the story and is quite a contemplative person, who has a lot of stories in his past and plenty of memories to reflect upon helps us connect easily with him and with the characters he likes, even if some of them are ambiguous and not what they seem to be. He is trying his hardest to make things right and to put an end to the family’s curse; he is eager to reconnect with his past, to leave a worthy legacy and to help others; and although he is not whiter than white (in fact, we learn that he’s done some pretty questionable things), he does have a sense of what is right and wrong and of morality that most readers will probably feel comfortable with.
As mentioned, the writing style is quite descriptive, and the descriptions not always help directly advance the story. However, they contribute to create a picture of the places and the people we are reading about, and they also fit the narrative style of the protagonist, who is often told he should write his story, and who notes that he used to write lengthy descriptions of the places he visited and of the people he met in his letters to his mother all throughout the many years he was away. There are scenes of action; there are contemplative moments; there are cooking interludes; and there are memories and flashbacks interspersed in the novel, so the pace is not relentless and the storyline does not rush at breakneck speed, but it flows well, and it packs a lot of information and story into very few pages.
Without giving too many clues, I can affirm that I really enjoyed the ending, and it worked well for me. It is evident when we read the novel that the main character has a past, and recent events in his life have had a lot of impact in his current situation, but there is enough information provided for those of us who like to fill in the blanks in order to give us a good sense of the psychology and the complexity of the main character, and to make us wonder what will happen next, while at the same time offering us a full and complex story with a satisfying resolution. In sum, this is a short novel that manages to combine many genres, with a strong and likeable protagonist and some pretty memorable secondary characters, a vividly depicted setting, dark subjects aplenty, a noir writing style without extreme gore or swear words but full of unforgettable quotes, and enough cooking reference to delight gourmets, especially meat-eaters (not my case, unfortunately). A very interesting author with a unique writing style, and one I’ll make sure to keep my eyes on in the future.
Black Irish Blues is the return-to-origin story of Caesar Stiles, an erstwhile runaway who returns to his hometown with plans to buy the town’s only tavern and end his family’s Sicilian curse.
Caesar’s attempt for redemption is complicated by the spectral presence of his estranged father, reparation seekers related to his corrupt older brother, a charming crime boss and his enigmatic crew, and – most significantly – a stranger named Dinny Tuite whose disappearance under dubious circumstances immerses Caesar in a mystery that leads into the criminal underbelly of industrial New Jersey, the flawed myth of the American Dream, and his hometown’s shameful secrets.
Black Irish Blues is a poetic, gritty noir full of dynamic characters, a page-turning plot, and the further development of a unique American character.