Today’s team review is from Olga. She blogs here https://www.authortranslatorolga.com
Olga has been reading Matilda Windsor Is Coming Home by Anne Goodwin
I arrived in the UK in September 1992. My goal was to qualify as a psychiatrist (I had studied Medicine back home in Barcelona, Spain) and, also, to improve my English. I started working as a junior doctor in psychiatry in February 1993, and Anne Goodwin’s new novel is set (mostly) just a couple of years earlier, at a moment when mental health services in the UK were undergoing a major change. The move from the big old-style asylums —where people who suffered from chronic mental health conditions, sometimes poorly defined, were “warehoused”—to “care in the community”, with its resulting emphasis on normalisation, on reintegration, and on support within the family, and/or the community, rocked the foundations of the system, and resulted on new practices, roles, and also in bringing to the fore a number of patients who had spent most of their lives in institutions and had real difficulties finding a place in an outside world they no longer recognised.
Even though this is a work of fiction, it is evident that the author is writing from personal experience, and that lends immediacy and depth to the story. Goodwin captures perfectly the atmosphere of the mental health asylums, where routine was sacred, and everybody had a part to play they were not allowed to deviate from. She offers readers several points of view: that of a newly-qualified social worker (Janice), who is going through an unsettling time in her personal life, and whose values and certainties will be put to the test by this job, especially by Matty’s case; Matty’s, one of the long-stay patients, whose story is less-than-certain after having been institutionalised for over 50 years, who allows us a peek into her unique world (stuck as she is in the past, an imaginary refuge from her less than glamorous reality); Henry’s, a man who also lives stuck in the past, waiting for a sister/mother whom he is no longer sure ever existed; and Matilda’s, who takes us back to the 1930s and tells us a story full of everyday tragedy, loss and despair.
Although I only experienced the aftermath of the closing of the big asylums, I got to talk to many nurses and doctors who had spent most of their working lives there, and had been involved in the changes as well. I also met many of the patients who hadn’t been lucky enough to move back into the community and ended up in newer long-term units, and also some of those who managed to create new lives for themselves, with the dedicated support of members of staff who were usually stretched to their limits. I worked in a newly-built unit in the grounds of one of the big asylums in the South of England, and walked the beautiful gardens, saw the impressive buildings (it had even had a railway station in its heyday), and it was easy to imagine how things must have been. Hardly any of the patients who’d spent years there had any contact with their families any longer, and their worlds had become reduced to their everyday routine, the tea with the sugar and milk already in, and the daily trip to the shop that the novel so realistically portrays. The way the author contrasts the experiences from the characters who live “normal” lives in the community (Henry’s life is “peculiar” to say the least, and Janice is in a sort of limbo, an impasse in her life) with Matty’s life in hospital emphasises the importance of the stories we tell ourselves, and also reminds us of the need to take control and to impose our own meaning in our lives. If we don’t, we are at risk of becoming the person or the version of ourselves that other people decide. And that is the worst of tragedies.
This is not an easy story to contemplate, and most readers will soon imagine that the truth about Matilda’s past, once revealed, will be shocking and tragic. Worse still, we know that it is all a too-familiar story, and not a flight of fancy on the part of the author. But she manages to make it deeply personal, and I challenge any casual readers not to feel both, horrified and moved, by the story.
As a mental health professional, this novel brought goosebumps to my skin and a lot of memories. As a reader, it gave me pause, and made me care for a group of characters whom I share little with (other than my professional experience). As a human being, I can only hope no girls find themselves in the position of Matilda ever again, and also that, as a society, we always remember that there is no health without mental health. Thankfully, many people have come forward in recent years and shared their mental health difficulties and their experiences trying to find help. It was about time, because those patients not at liberty to leave the hospital always reminded us that we would go home at the end of the day, but they had no home to go to, or, worse even, the hospital was their only home. Out of sight, out of mind is a terrible attitude when it comes to people’s suffering. Hiding away mental health problems does nothing to help those suffering them or the society they should be fully participating in, and Goodwin’s novel reminds us that we have come a long way, but there’s still a long way ahead.
A fantastic novel, about a tough topic, which highlights the changes in mental health policy and forces us to remember we are all vulnerable, and we should fight to ensure that nobody is ever left behind.
Thanks to the author for offering me the opportunity to read her novel ahead of publication. It will stay with me for a long time, and I’m delighted to hear that she’s already working on its second part.
In the dying days of the old asylums, three paths intersect.
Henry was only a boy when he waved goodbye to his glamorous grown-up sister; approaching sixty, his life is still on hold as he awaits her return.
As a high-society hostess renowned for her recitals, Matty’s burden weighs heavily upon her, but she bears it with fortitude and grace.
Janice, a young social worker, wants to set the world to rights, but she needs to tackle challenges closer to home.
A brother and sister separated by decades of deceit. Will truth prevail over bigotry, or will the buried secret keep family apart?
In this, her third novel, Anne Goodwin has drawn on the language and landscapes of her native Cumbria and on the culture of long-stay psychiatric hospitals where she began her clinical psychology career.