Rosie’s #BookReview Team #RBRT GHOST VARIATIONS by @jessicaduchen #SundayBlogShare @AlisonW_Editor

Today’s team review is from Alison, she blogs at http://alisonwilliamswriting.wordpress.com/

#RBRT Review Team

Alison has been reading Ghost Variations by Jessica Duchen

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There are so many strands to this book, so many different things that have their own unique appeal. Firstly, it is beautifully written and an absolute pleasure to read. Secondly, its subject matter is intriguing, and a book that mixes fact and fiction is something that really appeals to me. The mystery of the concerto, the story around its discovery, the back story about Schumann himself which is heart-breaking, and the historical detail that seems so particularly relevant today – all these things are brought together in an intelligent, compelling narrative.

The story is told mainly from the viewpoint of Jelly herself, a violinist from Hungary, living in London, and, later on, from the point of view of Ulli, a young music publisher, in love with Jelly, living in Germany as the Nazis climb to power.

This sense of impeding horror and war is portrayed so clearly. These people don’t just suddenly come to power – they take it, little by little, piece by piece. For Ulli, in the midst of it, the realities become terrifying. For Jelly, feeling the rise of anti-Semitism and fascism in her adopted home country, the prejudice and intolerance is subtle, but still horrifying.

So this is a timely book too. This is what one character says about the Daily Mail, who have published an article with the headline ‘Hurrah for the Blackshirts’:

‘”This paper’s feeding us nothing but lies, lies, lies,” Alec said, “yet we gulp it down without questioning it, while there’s real suffering, real danger, out there.”’

And on the appeal of the Blackshirts themselves:

‘Anybody could be drawn to them, Alec said, from the unemployed to Eton lads, some believing they had the answer to keeping out the communists, others determined to restore the glory of British imperialism, or some such guff, which meant reasserting their superiority over filthy foreigners.’

While the author has obviously researched thoroughly, and also has a formidable knowledge of the world of which she is writing, this isn’t highbrow, or inaccessible – it is intelligent and knowledgeable, lyrical in places, but it is also very readable.

There is a real sense of time and place, with little details that bring authenticity to the story. Jelly is warm, talented, intelligent but not perfect – she has her flaws, her insecurities, she makes mistakes. But she comes across as wholly believable, a talented, intelligent woman, striving for success and happiness both personal and professional.

An excellent book.

Five stars

Book Description

The strangest detective story in the history of music – inspired by a true incident. A world spiralling towards war. A composer descending into madness. And a devoted woman struggling to keep her faith in art and love against all the odds. 1933. Dabbling in the fashionable “Glass Game” – a Ouija board – the famous Hungarian violinist Hungarian Musicia, one-time muse to composers such as Bartók, Ravel and Elgar, encounters a startling dilemma. A message arrives ostensibly from the spirit of the composer Robert Schumann, begging her to find and perform his long-suppressed violin concerto. She tries to ignore it, wanting to concentrate instead on charity concerts. But against the background of the 1930s depression in London and the rise of the Nazis in Germany, a struggle ensues as the “spirit messengers” do not want her to forget. The concerto turns out to be real, embargoed by Schumann’s family for fear that it betrayed his mental disintegration: it was his last full-scale work, written just before he suffered a nervous breakdown after which he spent the rest of his life in a mental hospital. It shares a theme with his Geistervariationen (Ghost Variations) for piano, a melody he believed had been dictated to him by the spirits of composers beyond the grave. As rumours of its existence spread from London to Berlin, where the manuscript is held, Jelly embarks on an increasingly complex quest to find the concerto. When the Third Reich’s administration decides to unearth the work for reasons of its own, a race to perform it begins. Though aided and abetted by a team of larger-than-life personalities – including her sister Adila Fachiri, the pianist Myra Hess, and a young music publisher who falls in love with her – Jelly finds herself confronting forces that threaten her own state of mind. Saving the concerto comes to mean saving herself. In the ensuing psychodrama, the heroine, the concerto and the pre-war world stand on the brink, reaching together for one more chance of glory.

About the author

Jessica Duchen

Jessica was born in London. She first tried to write a novel at the age of 12 and found much encouragement from a distinguished author and a literary agent. After studying at Cambridge, she worked as an editor in music publishing and magazines for ten years.

Her latest novel, Ghost Variations, is based on a true incident in the 1930s: the bizarre rediscovery of the long-suppressed Schumann Violin Concerto. “This is a hugely atmospheric and thought-provoking book featuring fascinating characters… It evokes a period pregnant with both promise and menace” (Music & Vision Daily).

The earlier novels focus on the tensions and cross-currents between family generations, including a painful exploration of the effects of anorexia (Rites of Spring) and the rearing of a child prodigy (Alicia’s Gift) to the long-term effects of displacement and cultural clashes (Hungarian Dances and Songs of Triumphant Love). 

Jessica’s journalism has appeared in The Independent, The Guardian and The Sunday Times, plus numerous music magazines. She gives pre-concert talks at venues including the Wigmore Hall, the Southbank Centre and Symphony Hall Birmingham. Having created concert versions of Alicia’s Gift, Hungarian Dances and Ghost Variations, she often narrates their performances. Her play A Walk through the End of Time, introducing Messiaen’s Quartet for the End of Time, has been performed at music festivals in the UK, France and Australia. 

Jessica lives in London with her violinist husband and two cats. She enjoys long walks, cooking, and playing the piano when nobody can hear her. Facebook page: https://www.facebook.com/jessicawords

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Rosie’s #BookReview Team #RBRT GHOST VARIATIONS by @jessicaduchen musical mystery

Today’s team review is from Olga, she blogs at http://www.authortranslatorolga.com

#RBRT Review Team

Olga has been reading Ghost Variations by Jessica Duchen

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I’m writing this review on behalf of Rosie’s Book Review Team. I was given an ARC copy of this book and I voluntarily chose to review it.

I enjoy reading in a variety of genres but have recently realised that I really enjoy historical fiction, as it offers me both, great stories and a background that’s interesting in its own right and that often offers me insight into eras and situations I know little about.

When I read the description of this novel I thought it sounded very different to what I usually read, but fascinating at the same time. A mystery surrounding a piece of music (a violin concerto) by a famous composer (Robert Schuman) that has been hidden for a long time. I love music but I’m not a deep connoisseur, and I didn’t realise when I read about the novel that the story was based on facts (it follows quite closely the events that took place in the 1930s, involving Hungarian (later nationalised British) violinist Jelly d’Arányi, and a concert Schuman wrote whilst already interned in an asylum) and included an element of the paranormal. It’s one of those cases when reality upstages fiction.

Despite the incredible story, that’s fascinating in its own right, Jessica Duchen does a great job of bringing all the characters to life. The story is told in the third person mostly from Jelly’s point of view, although later in the book we also get to hear about Ully, a character that although not based on a real person brings much to the equation, as it offers us a German perspective on the story. Jelly, who lives with her sister, brother-in-law, niece and their dog, despite her many admirers and some failed romances, is single and dedicated heart and soul to her music. I easily identified with Jelly, although our vocations and personal circumstances are very different, but I appreciated her dedication and love for music and for her family, her horror at the social and historical circumstances she was living through, her difficulties fitting in, as a foreigner living abroad, and her awareness of the challenges and limitations she was facing due to her age. There are very touching moments, for example when Jelly goes to visit her secretary and friend at the hospital and gives an impromptu concert there, when she organises a tour of concerts in cathedrals, free for everybody, not matter their social class, to collect funds for the poor, and when she becomes plagued by self-doubt, due to her personal circumstances and to her failing health. Jelly is not perfect, and she appears naïve at times, showing little understanding of issues like race or politics, limited insight into her own beliefs about the spirit world, her feelings and hesitating about what to do in her personal life, but she is a credible and passionate human being, and she gets to confront many of her fears by the end of the book.

Apart from the gripping story and the background behind the discovery of the concert, there is the historical context of the 1930s. As Schuman was a German composer, somehow it became a matter of national importance to recover the concert and claim it as a German work. The changes in Germany, the atmosphere of menace and threat, the rise of dangerous nationalism, and how that was also reflected in Britain, where the sisters lived, was well reflected and built into the book, especially when, at first sight, it seems to be only marginally relevant to the central mystery. As several characters observe in the novel, a piece of music is not ‘just a piece of music’ any longer and everything becomes vested with particular significance, thanks to manipulation and propaganda, no matter what the original intention of the composer might have been. I suspect most people who read this book won’t be able to resist comparing the historical situation then to our current times and worry.

This novel is a joy to read, one of these cases when the story and the writing style are perfectly matched and one can almost hear the music flowing from the pages. A wonderful novel that I recommend to anybody interested in the period and in good writing. I’ll be closely watching this author in the future.

Book Description

Ghost Variations: The Strangest Detective Story In Music by Jessica Duchen. Music, mystery, beautiful writing and a story that proves reality is weirder than fiction

The strangest detective story in the history of music – inspired by a true incident. A world spiralling towards war. A composer descending into madness. And a devoted woman struggling to keep her faith in art and love against all the odds. 1933. Dabbling in the fashionable “Glass Game” – a Ouija board – the famous Hungarian violinist Jelly d’Arányi, one-time muse to composers such as Bartók, Ravel and Elgar, encounters a startling dilemma. A message arrives ostensibly from the spirit of the composer Robert Schumann, begging her to find and perform his long-suppressed violin concerto. She tries to ignore it, wanting to concentrate instead on charity concerts. But against the background of the 1930s depression in London and the rise of the Nazis in Germany, a struggle ensues as the “spirit messengers” do not want her to forget. The concerto turns out to be real, embargoed by Schumann’s family for fear that it betrayed his mental disintegration: it was his last full-scale work, written just before he suffered a nervous breakdown after which he spent the rest of his life in a mental hospital. It shares a theme with his Geistervariationen (Ghost Variations) for piano, a melody he believed had been dictated to him by the spirits of composers beyond the grave. As rumours of its existence spread from London to Berlin, where the manuscript is held, Jelly embarks on an increasingly complex quest to find the concerto. When the Third Reich’s administration decides to unearth the work for reasons of its own, a race to perform it begins. Though aided and abetted by a team of larger-than-life personalities – including her sister Adila Fachiri, the pianist Myra Hess, and a young music publisher who falls in love with her – Jelly finds herself confronting forces that threaten her own state of mind. Saving the concerto comes to mean saving herself. In the ensuing psychodrama, the heroine, the concerto and the pre-war world stand on the brink, reaching together for one more chance of glory.

About the author

Jessica Duchen

essica was born in London. She first tried to write a novel at the age of 12 and found much encouragement from a distinguished author and a literary agent. After studying at Cambridge, she worked as an editor in music publishing and magazines for ten years.

Her latest novel, Ghost Variations, is based on a true incident in the 1930s: the bizarre rediscovery of the long-suppressed Schumann Violin Concerto. “This is a hugely atmospheric and thought-provoking book featuring fascinating characters… It evokes a period pregnant with both promise and menace” (Music & Vision Daily).

The earlier novels focus on the tensions and cross-currents between family generations, including a painful exploration of the effects of anorexia (Rites of Spring) and the rearing of a child prodigy (Alicia’s Gift) to the long-term effects of displacement and cultural clashes (Hungarian Dances and Songs of Triumphant Love). 

Jessica’s journalism has appeared in The Independent, The Guardian and The Sunday Times, plus numerous music magazines. She gives pre-concert talks at venues including the Wigmore Hall, the Southbank Centre and Symphony Hall Birmingham. Having created concert versions of Alicia’s Gift, Hungarian Dances and Ghost Variations, she often narrates their performances. Her play A Walk through the End of Time, introducing Messiaen’s Quartet for the End of Time, has been performed at music festivals in the UK, France and Australia. 

Jessica lives in London with her violinist husband and two cats. She enjoys long walks, cooking, and playing the piano when nobody can hear her. Facebook page: https://www.facebook.com/jessicawords.

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