Rosie’s #BookReview Team #RBRT @TPolen6 reviews Ghosts Of Manor House by Matt Powers

Today’s team review is from Teri, she blogs here http://teripolen.com/

Teri has been reading, Ghosts Of Manor House by Matt Powers

Give me a book featuring an eerie house and I’m a happy reader.  Ghosts of Manor House appealed to me based on the title alone.

The author does a wonderful job at conveying the emotions of grieving parents who’ve lost a child – my heart broke for them.  I also liked how the gruesome history of the tree was established in the prologue and gives a foundation for the mysterious happenings.  Once the family arrives at the house, you just know nothing good is going to happen.

After the first few chapters, there’s a sudden shift and for a while, it allows the reader to feel disoriented along with Edmund.  It’s easy to predict the path this story will take, but there are some tense, chilling moments along the way.

The book contains some formatting errors here and there, with two different characters speaking and the dialogue on the same line (which can be a little confusing), and sentences split between paragraphs.  Occasionally, the dialogue is somewhat repetitious.

This book doesn’t contain gore – it’s more atmospheric, with almost a gothic feel, so if you’re not a horror fan, don’t let that deter you from reading.  Although a quick read, Ghosts of Manor House contains powerful, heavy emotions and is a haunting, grim tale.

I received a copy of this book through Rosie’s Book Review Team.

Edmund and Mary Wilder are very much in love. But the death of their young son, Tommy, has shattered their family. Edmund is determined to bring them back together, drawing on the only bit of strength he has left—his love for Mary and their daughter, Stephanie. But Mary sinks deeper into depression while little Stephanie’s anger grows. Edmund flounders in his attempts to rescue his family from the brink of collapse and doesn’t know where to turn.

Then Mary receives an invitation for the family to become guests at Manor House, a seemingly quaint Bed and Breakfast. This, she assures her husband, is the answer to all their troubles.

Edmund arrives ahead of his family to spend a couple days working on his long-delayed novel. But his growing curiosity about the old house leads Edmund to an encounter that will change him forever.

What will you sacrifice for love?

An old fashioned psychological thriller with a nod to Stephen King, Manor House will keep you guessing and compel you to turn the page to the very end.

A mother will sacrifice anything for her children. A husband will risk everything to save his wife. Manor House will take them all.

Matt is the author and creator of Ghosts of Manor House and Senior Producer at Zynga. Computers and video games have been a part of his life since he was young. As a child, he always played video games and when he was ten, his Dad told him that he should try making his own. And so he taught himself to program and create games on the computer. He majored in Computer Science and enjoys working with a team of creative people. Matt has a passion for books and finds writing to be a great way to release his inner creativity.

Matt lives and works in the busy and vibrant metropolis of San Francisco where he is surrounded by extraordinary views of the ocean. He loves how the city is filled with a variety of people and activities – there is always something to do and new to see. In addition to San Francisco, Matt spends a lot of time in Grass Valley with friends and family where he can escape the concrete jungle for the relative calm of this gold mining sierra town. This is where the characters and story of Ghosts came to life.

He loves to write because he can use his wacky and twisted imagination to create interesting characters that he brings to life on paper. Matt’s writing process with Ghosts started with a concept, “write a creepy haunted house story.” Ideas became scenes, which became characters that created a story. Matt made a deal with Manor House to tell its tale and so he did, but at what price?

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The international paperback giveaway of this book until Saturday 20th Jan, if you’d like to enter follow this link to Olga’s review of the book

 

 

 

 

 

Rosie’s #BookReview Team #RBRT Painted by Kirsten McKenzie @Kiwimrsmac #TuesdayBookBlog

Today’s team review is from Olga, she blogs at http://www.authortranslatorolga.com

Olga has been reading Painted by Kirsten McKenzie

My review:

Thanks to Rosie Amber and to the author for providing me with an ARC copy of this novel, that I freely chose to review.

When I read the description of Painted I knew I had to read it, as it was a horror novel (and despite how much I like the genre, I don’t seem to read many of them), and it had to do with art. When I read that the author had worked in the antiques family business; that sealed the deal for me.  I had not read any work by this author before (and I understand this is the first time she writes horror) but I am pleased to have discovered her.

I don’t want to give too much of the plot away, but let’s say we have a dead painter who left very specific instructions in his will as to how to deal with the artwork he left behind. Unfortunately, there had been changes at his lawyer’s and his instructions were ignored. And we all know what happens when we ignore warnings, don’t we?

There are authors who are better at building characters than at creating a plot, and there are also authors who excel at describing places and objects but are not so good at providing psychological insights. McKenzie manages to create a great gothic atmosphere (some reviewers have said that the novel is more gothic than pure horror, but both things do not exclude each other), with a fantastically eerie and creepy house, full of even creepier portraits, and a variety of objects, furniture, and even plants that all combine to create a fabulous setting for the novel. In fact, the house becomes another character, one that hides many secrets, and of course, many ghosts.

But the author also creates fully-fledged characters, with their passions, foibles, secrets (some darker than others), and stories. Even when we do not get to share much time with them, we get flashes of their personality (be it because of their fastidiousness about their personal appearance, or because of the way they hang on to mementos from the past, or the way they present a false and harmless persona to the world when they are anything but). She manages to do this by using a variety of techniques, especially by her particular use of point of view. The story is written in the third person, but it shares the points of views of different characters. There is a certain degree of head-hopping, although I did not find it confusing and it is very smoothly done. We do see things from the perspective of all the characters. We mostly follow Anita, the young woman sent by the auctioneer’s to catalogue the paintings, because she is the first one to arrive and she spends the most time at the house, but we even get an insight into the thoughts of the lawyer’s secretary and of the farmer’s dog. And of course, the baddies (although it is not easy to decide who is good and bad in the story). There are also moments when we are told something that none of the characters could know (a great way of creating suspense and forecasting future events), like references to shadows, sounds nobody has heard yet, and things that happen behind character’s back or when they are asleep.

The character easiest to empathise and later sympathise with is Anita. It is clear from the beginning that she is battling with something that happened to her in the past and is bravely trying to get on with her life (despite still experiencing symptoms of PTSD). Her story is terrible in its own right, and it makes her reactions to what happens more justified. Some characters are nasty and difficult to like (like the lawyer), but most of them are given interesting backgrounds and scenes that make them memorable, and some are much more twisted than we realise.

I loved the details of the process of cataloguing the house contents (as I love antiques and TV programmes about antiques. Yes, I could watch The Antiques Roadshow forever and never get bored), the descriptions of the painting process, and the pace of the novel. The atmosphere is created slowly and we follow the characters’ commonsensical approach to the events to begin with and share with them their descent into paranoia and utter horror. The step-by-step reveal, the twists and turns, and the ghosts (it reminded me of The Turn of the Screw by Henry James) are also masterly rendered. And the ending… No, I did not see it coming, and as a fan of unhappy endings in horror books, this manages to satisfy, to surprise and to leave us wondering.

This is psychological horror, with ghosts and haunted house, at its best, and it does not contain gore or extreme violence (there is more menace and imagining than there is anything explicit), so I would recommend it to lovers of the genre, and to those who love atmospheric readings and don’t mind a scare or two. I cannot comment on the author’s previous writing, but she definitely has a talent for this genre, and based on the quality of her writing, I’m sure we’ll hear more from her.

Book Description

If art can capture a soul, what happens when one of those souls escapes?

When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn’t only the chilly atmosphere of the secluded house making her shiver.

Upon entering the house, Anita stands before a silent audience of portraits clustered on every wall. Every painted eye is watching her, including those of the unfinished portrait on the artist’s easel. A portrait with an eerie familiarity.

Kubin’s lawyer didn’t share the detailed instructions regarding the handling of the art, and Anita and her team start work in ignorance of the very instructions designed to keep them safe.

Disturbed, a man eases himself out of his portrait and stretches. Free at last from the confines of his canvas, he has no intention of ever returning. He has a painting to finish…

About the author

For years Kirsten McKenzie worked in her family’s antique store, providing a unique insight into the world of antiques which touches every aspect of her writing.

Now a full time author, her historical fiction novels ‘Fifteen Postcards’ and it’s sequel ‘The Last Letter’ have been described as Time Travellers Wife meets The Far Pavilions, and “Antiques Roadshow gone viral”.

Her first horror novel – ‘Painted’, was released in June 2017.

She lives in New Zealand with her husband, daughters, and her SPCA rescue cat.

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Rosie’s #Bookreview Team #RBRT Painted by Kirsten McKenzie @Kiwimrsmac #Horror #SundayBlogShare

Today’s team review is from Judith W, she blogs here https://readandreview2016.wordpress.com/

Judith has been reading Painted by Kirsten McKenzie

Painted is the first book I’ve reviewed for Rosie’s Book Review Team since May – this seems like an age ago – and it was a brilliant book for getting back into RBRT reviews.

It was well-written, and I was engaged in the story throughout.

McKenzie’s creation of build-up and tension was subtle but well-done, creating a consistent tone of uneasiness, which made the climax of the book even more exciting.

There are strong parallels to Susan Hill’s horror novel The Woman In Black* and this is a good thing, because I enjoyed both the novel and its film adaptation a lot.

*A lonely protagonist moves into an isolated house in order to complete work commissioned by their employer, but gradual ghostly occurrences unnerve them.

 

However, unlike The Woman In Black, the protagonist doesn’t remain completely isolated in the house; introduction of her co-workers adds new characters and allows McKenzie to develop a good cat-and-mouse style of horror, in addition to the paranormal activity.

My criticisms are small.

I think Painted occasionally relies too heavily on informing the reader of what the protagonist hasn’t seen. This is an understandable technique – its horror film equivalent would be zooming or panning to reveal a detail within the frame the audience can see clearly but the protagonist hasn’t. If Painted were a horror film (which I wish it was), I’ve no doubt this would be incredibly effective. However, translating this into written prose often within the story doesn’t have quite the same effect.

Furthermore, I would have preferred a more malignant ghostly presence – the ghosts were a little sympathetically written for my liking! For example, inThe Woman In Black, although the reader learns the sad back-story behind the woman in black’s haunting, the reader also sees her as a ruthless and malignant ghost, which adds to the horror of the book.

These are nit-picky problems because all in all I really enjoyed this book, and I will most likely try to grab a paperback version at some point, in addition to my free e-book copy!

If you’d like to read a well-written horror story that doesn’t rely on cheap scares but genuine thrills, I strongly recommend Painted.

Star Rating: 4/5 Stars

Book Description

If art can capture a soul, what happens when one of those souls escapes?

When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn’t only the chilly atmosphere of the secluded house making her shiver.

Upon entering the house, Anita stands before a silent audience of portraits clustered on every wall. Every painted eye is watching her, including those of the unfinished portrait on the artist’s easel. A portrait with an eerie familiarity.

Kubin’s lawyer didn’t share the detailed instructions regarding the handling of the art, and Anita and her team start work in ignorance of the very instructions designed to keep them safe.

Disturbed, a man eases himself out of his portrait and stretches. Free at last from the confines of his canvas, he has no intention of ever returning. He has a painting to finish…

About the author

For years Kirsten McKenzie worked in her family’s antique store, providing a unique insight into the world of antiques which touches every aspect of her writing.

Now a full time author, her historical fiction novels ‘Fifteen Postcards’ and it’s sequel ‘The Last Letter’ have been described as Time Travellers Wife meets The Far Pavilions, and “Antiques Roadshow gone viral”.

Her first horror novel – ‘Painted’, was released in June 2017.

She lives in New Zealand with her husband, daughters, and her SPCA rescue cat.

Goodreads | AmazonUK | AmazonUS | Twitter