‘There is just enough detail to bring a face, a room, or a street to life without over burdening the reader’. Frank reviews Talk Of Tokyo by @heather_hallman

Today’s team review is from Frank. Read more about him here https://franklparker.com/

Rosie's #Bookreview Team #RBRT

Frank has been reading Talk Of Tokyo by Heather Hallman

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I’m not sure why I expected something different when choosing this book. On the other hand, what I got was by no means a disappointment. That it might be better described as historical romance, rather than historical fiction, could provide an explanation, although, to be fair, it is both.

Written in a style full of the wit one might expect from a work by Jane Austen, this exploration of the unlikely relationship between two people from different cultures, set at the end of the nineteenth century, is a delight that can be experienced on several levels. There is the inevitable clash of cultures that took place when the hitherto feudal Japan opened up to trade with Europe and the USA. There is the rapidly evolving role of women in both cultures; there are the erotic possibilities that arise when two people experience a passionate desire to explore each other’s need for sexual fulfilment. Finally there is the corruption and exploitation of human weaknesses that accompanies the pursuit of lucrative trade deals and investment in new infrastructure.

In Talk of Tokyo, all these elements combine to produce an effervescent cocktail of scenes to both educate and delight the reader. The central character, half French, half Japanese, is a young woman whose French father deserted the family whilst she was still a child. She is determined to ‘out’ any foreign male who seems likely to treat Japanese women with equal disdain. Until, that is, she meets an English man whose sensibilities prove he is, at the very least, the exception that proves the rule.

The story is told in alternating first person narratives from both hers and his point of view, a technique that permits the author to indulge her proficiency in wit and irony through the contrast between the two. Both characters mature as the story progresses so that, by the end, two become one, so to speak. Along the way they expose one or two criminal conspiracies, something they are able to do, in part, because of the incompetence and/or lack of commitment on the part of the conspirators.

All of the other characters have substance, too, as do the settings. There is just enough detail to bring a face, a room, or a street to life without over burdening the reader with too much dull description.

The whole book is a delight to read, none more so than the erotic passages which are beautifully handled, and ‘handled’, in this context, very definitely has a double meaning.

Try as I might, I cannot think of a single reason to award fewer than five stars. Highly recommended for anyone who likes romance or history – especially a place and period that remains largely hidden from view in the English speaking world. I congratulate Ms Hallman for bringing it into the light.

Desc 1


1897 Tokyo is no different than anywhere else in the world: men are exploiting women. Specifically, Western men are exploiting Japanese women, and Suki Malveaux holds no punches in her condemnation of their behavior in her weekly column in the Tokyo Daily News.

Suki knows firsthand when Western men arrive at Tokyo Bay there’s only one outcome for Japanese women: a child and new mother left behind as nothing more than discarded shrapnel from the heartless war on love.

Griffith Spenser is her latest target. He’s been seen with Natsu Watanabe, one of Tokyo’s esteemed war widows. Under full anonymity of the moniker “The Tokyo Tattler,” Suki makes sure Griffith knows exactly why his behavior with Natsu won’t be tolerated.

Away from her Japanese mask as a columnist, Suki never intended to meet the cad. When he seeks her out to hire as a tutor for his niece and nephew, she’s faced with seeing him day in and day out without him ever knowing who she really is.

Caught in her struggle for anonymity so she can keep battling for women’s rights, Suki’s about to learn the full impact of her words on the people behind the story, especially on Griff.

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