Today’s team review is from Olga, she blogs at http://www.authortranslatorolga.com
Olga has been reading Wolfsangel by Liza Perrat
This is the third book by Liza Perrat I have read, and it won’t be the last one. After The Silent Kookaburra set in Australia in the 1970s, I read the first book in the Bone Angel Series, Spirit of Lost Angels. (Read the review here). This is a series that follows the women of a French rural family through the generations, with big jumps in time. The name comes from a little bone angel talisman these women wear and inherit down the female line, together with a skill and talent for nursing (including knowledge of herbs and natural remedies) and midwifery. While Spirit of Lost Angels is set around the time of the French Revolution, this book follows the main character, Célestine (Céleste) through the difficult years of the German occupation of France during the Second World War and its immediate aftermath.
The book is again narrated by its protagonist, a young girl, eager to prove herself and to lead an interesting life away from her seemingly uncaring and cold mother, in the first person. I know some readers do not like first person narrations although they bring an immediacy and closeness to the proceedings, and help us understand better the main character (well, to the point she understands herself). This device also means that we share in the point of view and opinions of Céleste and we are as surprised by events as she is, as we do not have any more information than she does. I am fascinated by narrators, and although Céleste is not an unreliable narrator by design (she does tell things and events as she experiences them), her rushed and unthinking behaviour at times, her quick reactions, and her youth make her not the most objective of people at times. Of course, if readers cannot manage to connect with Céleste at some level, the novel will be harder to read, but she is a likeable character. She is young, impulsive, and enthusiastic. She is eager to help and will often do it without thinking about the consequences and risks she might be taking. She helps a Jewish family very early on, hiding them on the farm, even when she is convinced her mother will not be happy. She wants to help the Resistance cause and is frustrated by the assumption that she is incapable of making any meaningful contribution to the war efforts because she is a woman. She works hard to prove she can be as useful and courageous as a man and runs incredible risks to achieve her goals.
She is not perfect, though, and her youth is particularly well reflected in her romantic attachment to one of the German officers. As is often the case for young lovers, Céleste seems to fall in love with her idea of romance, having only very limited and furtive contact with the officer. If at first she tries to convince herself that she is only playing a part to gather intelligence (and even her sister Felicité encourages her to try and obtain information), soon things turn serious, proving that she is not as calculating and mature as she would like to believe.
Céleste develops throughout the novel, moving to the city, becoming a true resistance fighter, helping the war effort as a nurse, feeding the prisoners at the station on their way to the camps, spying and passing secret information, and becoming a determined and independent woman. She also proves her strength and determination and survives a terrible ordeal and severe losses.
The cast of secondary characters is also exemplary. Céleste’s family (except for her father that we don’t know much about) are well-drawn and fascinating. The relationship mother-daughter is one of the strongest points and it reminds us of the strong bonds and connections between women (not always straight forward) the series is built on. Felicité, Céleste’s sister, is an amazing character, brave beyond the call of duty and, as we learn later, based on a historical figure. Her actions and her courage are very touching. Her brother is strong and supportive, and also a member of the resistance, and we get to know her friends, the doctor, the priest, and to understand that a lot of the population supported the resistance (some more openly than others), although there were collaborationists there too.
The author creates a great sense of place and historical era. The language, the foods, the clothing, the difficulties of an occupied nation trying to survive and resist are vividly brought to life thanks to the detailed descriptions of the landscape and the events, that make us share in the experience, without burdening the novel with extraneous information. The research is seamlessly incorporated into the story and it reminds us of how close the events are to us and makes us reflect on historical similarities with current times. The style of writing is poetic at times (the descriptions of the forest, Céleste’s love for her home and her pendant…), dynamic and flowing, and it has psychological depth and insight too.
The novel is harrowing and realistic as it describes death and tragedy on a big scale. The events that took place in Oradour Sur Glane in 1944 (and that inspired the novel) are horrific and reading them in the first person helps us understand more fully the kind of horror experienced by the victims and also the survivors.
The ending ties all loose ends together and is perfect for the story.
This is a great book for anybody who loves historical fiction and is interested in the French resistance from a more human perspective. It personalises and brings the readers closer to the experience of the era, at the same time helping us reflect on events and attitudes that are all too familiar. If you prefer your history close, personal, and in the first person, this is your book.
Seven decades after German troops march into her village, Céleste Roussel is still unable to assuage her guilt.
1943. German soldiers occupy provincial Lucie-sur-Vionne, and as the villagers pursue treacherous schemes to deceive and swindle the enemy, Céleste embarks on her own perilous mission as her passion for a Reich officer flourishes.
When her loved ones are deported to concentration camps, Céleste is drawn into the vortex of this monumental conflict, and the adventure and danger of French Resistance collaboration.
As she confronts the harrowing truths of the Second World War’s darkest years, Céleste is forced to choose: pursue her love for the German officer, or answer General de Gaulle’s call to fight for France.
Her fate suspended on the fraying thread of her will, Celeste gains strength from the angel talisman bequeathed to her through her lineage of healer kinswomen. But the decision she makes will shadow the remainder of her days.
A woman’s unforgettable journey to help liberate Occupied France, Wolfsangel is a stirring portrayal of the courage and resilience of the human mind, body and spirit.
About the author
Liza grew up in Wollongong, Australia, where she worked as a general nurse and midwife for fifteen years.
When she met her French husband on a Bangkok bus, she moved to France, where she has been living with her family for twenty years. She works part-time as a French-English medical translator, and as a novelist.
Since completing a creative writing course ten years ago, several of her short stories have won awards, notably the Writers Bureau annual competition of 2004 and her stories have been published widely in anthologies and small press magazines. Her articles on French culture and tradition have been published in international magazines such as France Magazine, France Today and The Good Life France.
Spirit of Lost Angels is the first in the French historical “The Bone Angel” series set against a backdrop of rural France during the French Revolution. The second in the series, Wolfsangel, set during the WWII Nazi Occupation of France, was published in October, 2013. The third, Blood Rose Angel, set during the 14th century Black Plague years was published in November, 2015.
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